Leonard Cohen - Show Me The Place
From the forth coming album old ideas.
Rule #1: There are no rules. There are as many ways to make a film as there are potential filmmakers. It’s an open form. Anyway, I would personally never presume to tell anyone else what to do or how to do anything. To me that’s like telling someone else what their religious beliefs should be….
(Source: jim-jarmusch.net)
Vivian: You’ve forgotten one thing - me.
Philip Marlowe: What’s wrong with you?
Vivian: Nothing you can’t fix.
The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters.
[Image: Andrei Tarkovksy Ivanovo detstvo/Ivan’s Childhood (1962)]
(Thank you - Unorganised Mind)
(Source: nefertiti)
Hawaii…Aloha bitches!
Golpes En El Corazon - Paulina Rubio feat Los Tigres Del Norte (MTV Unplugged)
Love me some Paulina Rubio!
And these lyrics… oof! Should you understand the power of these lyrics albeit they’re in Spanish but still..
“Yo te regalaba todo / Todo lo que me pedias / Sin embargo me reclamas / Y te daba hasta mi vida / Pero tu, que me has dado / Falsas promesas de amor / Pero tu, que me has dado / Golpes en el corazon…”
Which roughly translates to…
“I used to give you my all / All that you asked of me / However all you do is complain / And to think I gave you my life / And you, what have you given me / False promises of love / And you, what have you given me / Beatings to my wounded heart…”
It’s just that magic of these lyrics are everything!!
This song hit too close to home for me.
“Me encantaria ser tu alegriaaa”
FIDEL RUEDA - “ENHORABUENA” - VIDEO OFICIAL HD
Que seas muy feliz…
I know Carey wanted to kill me when I posted his beloved Kermit in a negative light.
Diversity:
1. Obviously, the absence of a must-see mass-market movie. […]
2. Ticket prices are too high. […]
3. The theater experience. […]
4. Refreshment prices. […]
5. Competition from other forms of delivery. […]
6. Lack of choice. Box-office tracking shows that the bright spot in 2011 was the performance of indie, foreign or documentary films [this has arguably been the case since 1989 with Soderbergh’s Sex, Lies, and Videotape]. On many weekends, one or more of those titles captures first-place in per-screen average receipts. Yet most moviegoers outside large urban centers can’t find those titles in their local gigantiplex. Instead, all the shopping center compounds seem to be showing the same few overhyped disappointments. Those films open with big ad campaigns, play a couple of weeks, and disappear.
The myth that small-town moviegoers don’t like “art movies” is undercut by Netflix’s viewing results; the third most popular movie on Dec. 28 on Netflix was “Certified Copy,” by the Iranian director Abbas Kiarostami. You’ve heard of [him]? In fourth place—French director Alain Corneau’s “Love Crime.” In fifth, “The Girl with the Dragon Tattoo“—but the subtitled Swedish version.
The message I get is that Americans love the movies as much as ever. It’s the theaters that are losing their charm. Proof: theaters thrive that police their audiences, show a variety of titles and emphasize value-added features. The rest of the industry can’t depend forever on blockbusters to bail it out.
~ Roger Ebert
(Source: news.ycombinator.com)
lol.
Turtleman is my hero.
