May
13th
Sun
13th
I'll post nightly clips from the picture I will watch that evening...plus, I'll post clips from pictures that I think are important and/or interesting.
Be warned of long-winded ranting and raving...All news will be from the last fortified compound on the Mississippi river in downtown Minneapolis.
Contact:
mississippi802@gmail.com
Apr
25th
Wed
25th
(L to R) Marilyn Monroe, Clark Gable, Montgomery Clift, and Eli Wallach on the set of The Misfits (1960, dir. John Huston) (via)
Photographer: Cornell Capa
Mar
25th
Sun
25th
Tu ya eres cosa del pasado - Fidel Rueda
Tal parece
Que ya se te olvido que fuiste tú
La que dio el primer paso al paraíso
La que tuvo aquella brillante idea
Que nuestro amor tenía que morirse
Tal parece
Que ahora ya cambiaste de opinión
Y que quieres remediar lo sucedido
Diciendo que no puedes olvidarme
Lo siento mucho pero no es tan fácil
Que has creído
Que después de todo el tiempo que ha pasado
Yo estaría como un tonto esperando
Mi amor las circunstancias han cambiado
Ya no estoy solo
Mi corazón se ha enamorado nuevamente
No me interesa en lo más mínimo
volver a ti, ahora mi cuerpo a otra
Mujer le pertenece
No te deseo, y sedí amarla estar
aseado en otros brazos
Donde ya soy feliz
Por si no lo has notado
Es tan ilógico
Que pienses que te extraño
Tú ya eres cosa del pasado
Que has creído
Que después de todo el tiempo que ha pasado
Yo estaría como un tonto esperando
Mi amor las circunstancias han cambiado
Ya no estoy solo
Mi corazón se ha enamorado nuevamente
No me interesa en lo más mínimo
volver a ti, ahora mi cuerpo a otra
Mujer le pertenece
No te deseo, y cedí amarla estar
aseado en otros brazos
Donde ya soy feliz
Por si no lo has notado
Es tan ilógico
Que pienses que te extraño
Tú ya eres cosa del pasado.
Mar
10th
Sat
10th
(Source: lipgallagher, via martinscorsese)
Feb
24th
Fri
24th
![dedicatedtoduke:
On the set of Stagecoach, 1939 : Ford, Andy Devine and Duke in his Donatello contrapposto. How an actor moves is important in motion pictures.
‘Wayne was not born Wayne. He had to be invented […] He created an entire Western language of body signals.[…] Wayne’s control of his body was economical with no motion wasted. This gave a sense of purpose to everything he did..[…] One can identify Wayne by his pose or gait, the tilt of his shoulders, the contrapposto lean of his hips […] He constantly strikes the pose of Michelangelo’s David. Sometimes with a wider throw of hip he becomes Donatello’s David. He was very conscious of his effects. Richard Widmark used to laugh when Wayne directing The Alamo, shouted at his actors : Goddamnit, be graceful-like me ! Garry Wills, JW- The Politics of Celebrity](http://24.media.tumblr.com/tumblr_lzv9vwdhof1r6fvezo1_1280.jpg)
On the set of Stagecoach, 1939 : Ford, Andy Devine and Duke in his Donatello contrapposto. How an actor moves is important in motion pictures.
‘Wayne was not born Wayne. He had to be invented […] He created an entire Western language of body signals.[…] Wayne’s control of his body was economical with no motion wasted. This gave a sense of purpose to everything he did..[…] One can identify Wayne by his pose or gait, the tilt of his shoulders, the contrapposto lean of his hips […] He constantly strikes the pose of Michelangelo’s David. Sometimes with a wider throw of hip he becomes Donatello’s David. He was very conscious of his effects. Richard Widmark used to laugh when Wayne directing The Alamo, shouted at his actors : Goddamnit, be graceful-like me ! Garry Wills, JW- The Politics of Celebrity
Feb
13th
Mon
13th
“A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.” - Billy Wilder
(via fuckyeahdirectors)
(via ids07)
